Lapis Lazuli and Malachite

Genuine Lapis Lazuli and Genuine Malachite
Natural honey watercolors in 1/2 pans. Handmade.
 
Malachite
Perhaps the earliest copper ore, having been mined in Sinai and the eastern deserts of ancient Egypt as early as 3000 BC, malachite is a green copper carbonate hydroxide. It was used as an eye paint, a pigment for wall paint, in glazes and in glass coloring.
In the 19th century, huge deposits in the Ural Mountains of Russia supplied large amounts of malachite to Europe.
 
Lapis Lazuli
A deep-blue, semi precious stone with golden veins, prized since antiquity for its intense color. The first blue pigment to hold its color. Lapis lazuli is the stone from which natural ultramarine pigment is ground. Until the 19th century lapis lazuli was obtained only from mines in what is now northeastern Afghanistan.
Lapis Lazuli pigments are prepared from gem grade rocks. The preparation of the pigment starts with cutting raw rocks to a smaller size and eliminating as much calcite and pyrite as possible. Then the size of rocks is reduced by a jaw crusher into coarse sand. The cleaned Lapis Lazuli sand is further wet milled in a metal free environment to prevent contamination. 
 
A deep blue, semi precious stone with golden veins, appreciated since ancient times for its intense color. The first blue pigment to retain its color. Lapis lazuli is the stone from which the natural ultramarine pigment is ground. Until the 19th century, lapis lazuli was only obtained from mines in present-day northeastern Afghanistan.
Lapis lazuli pigments are prepared from gem grade rocks. Preparation of the pigment begins with cutting the raw rocks to a smaller size and removing as much calcite and pyrite as possible. Then the size of the rocks is reduced by a jaw crusher into a coarse sand. Clean lapis lazuli sand is further wet ground in a metal-free environment to prevent contamination.
 
 
 
We only use pure gemstones to create watercolors, no volume augmentation with marble or calcite additions, no color intensity enhancers with artificial pigments. The processing times and the costs of the real stones allow us to make only a few trays at a time.
 
Crafted by Paterno studio 
Instagram @essee.colors
 
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